Thursday, December 31, 2009

My 2009

It's that time again folks. Another year is drawing to a close. I never saw the big deal with New Year's Eve. There is nothing special about it. It's always built up to be so much, so brilliant and fun, but when midnight comes it's always such an anti-climax. I never enjoyed it. It was always just another night, the crappiest night of the year in most cases. It's not that i've always spent it alone, sitting in, miserable- I haven't. I've usually spent it in a local pub in Laois or at some houseparty. But it never mattered where I was. When the countdown ended and twelve o'clock struck, I just got this sense of huge sadness. I think it started happening after my Mam died.

New Year's Eve is a time when all of us take some time to reflect, to look back over the last year and think about the good times, the bad times and what we would like to change to make the next year even better. As everything winds down, it is quite easy to dwell on the things that made us sad, the things that never happened, the things make us want to bid good riddance to 2009. But for now, I thought it would be nice (and more beneficial) if I listed some of the things that made me smile this year. So here goes...

In 2009 I...
  • became an aunty (and godmother) for the first time to a beautiful niece and nephew;
  • biked down along San Francisco Bay, across the Golden Gate Bridge and down to Sausalito;
  • hiked amazing trails and felt the mist of a waterfall on my face in Yosemite National Park;
  • drank wine in Napa Valley;
  • sat in a hot tub in Lake Tahoe after-dark under a snow-capped mountain;
  • saw Alcatraz;
  • saw "Wicked", the musical, in San Francisco;
  • added more to the book I've been writing for two years;
  • started learning the piano;
  • discovered some great new music;
  • began two distance-learning courses;
  • visited my friend, Laina, in Scotland;
  • created this blog;
  • began reviewing books;
  • saw some amazing gigs;
  • made some very lovely new friends;
  • started to finally like my job;
  • taught somebody something new;
  • helped somebody else;
  • loved someone;
  • learned a little bit more about myself and what I want for me, for my future.
Here's to 2010, everybody, and everthing it holds for all of us. I hope all your dreams, and mine, come true.

I'm going to add a few videos to this post of just a few of my recent favourite songs (they vary constantly). Not neccessarily all released this year, these songs all struck a chord with me at a particular time and were played and replayed on my iPod because of a certain mood I was in or a person or experience they reminded me of. You're in here.




































The Countdown: Best Albums of 2009

Ok, so I've spent the last couple of weeks reviewing my favourite albums of the year and now it's time to stick them into a list in order of their awesomeness. If you want to read any of the reviews, clicking on the title of the album will take you to them.
  1. Florence and The Machine, Lungs 
  2. Mumford and Sons, Sigh No More 
  3. Pearl Jam, Backspacer 
  4. Ida Maria, Fortress 'Round My Heart 
  5. Arctic Monkeys, Humbug 
  6. Alice in Chains, Black Gives Way To Blue 
  7. The Dead Weather, Horehound 
  8. Them Crooked Vultures, Them Crooked Vultures 
  9. Wilco, Wilco (The Album)
  10. Animal Collective, Merriweather Post Pavillion 
Other great albums I liked this year:
  • The Big Pink, A Brief History of Love
  • Imogen Heap, Ellipse
  • Nirvana, Live at Reading
  • Regina Spektor, Far
  • Iron & Wine, Around the Well
  • Iron & Wine, Norfolk
  • Grizzly Bear, Veckatimest
  • A Fine Frenzy, Bomb in a Birdcage
  • Trevor Hall, Trevor Hall
  • Jeff Buckley, Grace- Around the World
  • Yeah Yeah Yeahs, It's Blitz!
  • The XX, The xx
  • The Temper Trap, Conditions
  • Gavin DeGraw, Free
  • Dirty Projectors, Bitte Orca
  • Kate Walsh, Light & Dark
  • Placebo, Battle for the Sun
  • The Maccabees, Wall of Arms
  • Newton Faulkner, Rebuilt By Humans
  • Manic Street Preachers, Journal For Plague Lovers
  • Bat For Lashes, Two Suns
  • Paolo Nutini, Candy
  • Doves, Kingdom of Rust
  • Sonic Youth, The Eternal
  • Noah and the Whale, The First Days of Spring
  • Greenday, 21st Century Breakdown
  • Muse, The Resistance
  • Neko Case, Middle Cyclone
  • Paramore, Brand New Eyes
  • Skunk Anansie, Smashes and Trashes
  • Empire of the Sun, Walking on a Dream
  • Biffy Clyro, Only Revolutions  

Best of 2009 Part 10

Merriweather Post Pavilion, the ninth studio album by Animal Collective, was, before its release on January 6, willed to be flawless; the early prediction for album of the year. The initial critical response turned out to be hugely positive with most reviewers hailing it as one of the best albums of the 21st Century so far.


This is my album that nearly didn't make it. In fact, I deleted my first review of it. I was never a massive fan of Animal Collective; I listened to Strawberry Jam continuously for a week but it never really grew on me. The same went for Merriweather Post Pavillion. I left it in the CD player in my car for four days so it would play on my way to and from work. I honestly did not see what all the fuss was about. I just didn't "get it". "Lion in a Coma" really did not appeal to me and I kept skipping it. "Also Frightened" was a bit too depressing and blah. So, after those five days, the album found itself taking a nine-month hiatus in my glove compartment.

Having read an article on Rolling Stone online in September, I decided to give it another go. It took a month but it finally grew on me. While I still don't think it's a perfect album, I do think it deserves to appear on this list. Merriweather Post Pavillion is actaully very catchy. It is heartwarming, sunny and ooozes fun. An easier and more accessible listen than their earlier work, the album is beautifully rich and rewarding. Animal Collective mix instrumentation, samples and vocals in a way that seems more advanced than most music out there today. "Daily Routine" is particularly reflective of this. "Summertime Clothes" is hugely addictive and hooky, "No More Running" is heartbreaking and beautiful and "My Girls" is sweet and also very catchy. I still can't fully warm to "Lion in a Coma" or "Also Frightened" but hey, 10 out of 12 tracks ain't bad. 

If you have just heard of Animal Collective and are planning to give them a go then this is the album to start with. If you are already a fan of the band then there is no need to read this review. You already have the album. And it is great. And definately worthy of its spot on any Best of 2009 lists.

Wednesday, December 30, 2009

Best of 2009 Part 9

Now in their fifteenth yearWilco have certainly proved their creative longevity with their latest album. The seventh studio album by the alternative country-rock group, Wilco (The Album) is their most upbeat and accessible album yet.
 

Ok my peeps, this post shall be slightly shorter and less descriptive than usual as I am all floopy on wine and bottles of Miller (damn you Laois!). Also coming in on my countdown of best albums of 2009 is Wilco (The Abum) by the Chicago band I have come to love this year. Boasting a much more mature and confident sound the album is full of simple yet excellent little rock gems. The songwriting is, as usual, top notch with great lyrics caught up in delicious and memorable hooks. Almost all of the eleven tracks are catchy and compelling and demonstrate the band's consistency in producing some very fine music. Lasting just a mere 43mins, Wilco (The Album) is optimistic, irresistably creative and definately worth a listen. Cheers!

Tuesday, December 29, 2009

Happy Birthday (Almost) Dr. Dexter!


Today marks the 44th birthday of Dexter Holland (who has a Bachelor's degree in Biology as well as a Master's degree and almost-PhD in Molecular Biology- a random fact which always makes me smile). I do be liking the work of The Offspring and for this reason shall play a video in honour of the band's lead singer growing one year older.

Here is one of my favourites:

Best of 2009 Part 8

Backspacer, Pearl Jam's ninth studio album, is a sunny-side-up piece of heaven; an upbeat collection of highly melodic songs that show the band's not-so-glum side. More please!


While we all fell in love with Pearl Jam for their grunge side, no fan should cast them off because of their new change of direction. What we need to remember is that what hooked us all from the get-go was the band's melodic, sing-along rock, and while Backspacer certainly looks on the brighter side of life, it is not an album to be unfairly dismissed. Infusing their famous Seattle grunge sound with some pop and new wave influences, Pearl Jam have created one amazing album that gets better with every single listen. Predictably, the songwriting is brilliant and the new positive vibe poured into the songs really suits the band. The album is very accessible, very catchy and very, very fun. It has a great boyish and youthful quality to it that is refreshing to see (or hear rather).

"The Fixer" and "Get Some" are as powerful as Pearl Jam songs can be, explosive anthems that showcase the band to the best of their talents. "Amongst the Waves" is a real feel-good track and one of the best on the album; the fun emanating from it really rubs off on you- it is nearly impossible not to tap along to it. "The End" and "Just Breathe" are beautiful and deeply moving, the latter especially reminiscient of Vedder's work on the Into the Wild soundtrack (which I adore).

Vedder's vocals are, as usual, the main attraction of the album. As I have mentioned before in this blog, the man can do no wrong in my book and this album is no exception. It is refreshing to see the band have dropped the political agenda in favour of a much more optimistic view this time around, and Vedder's voice even seems grateful for this. It is uplifting and oozes positivity. For once Pearl Jam aren't in the mood for gloomy brooding- late forties must have taught them all to lighten up! While the album still has its darker elements and bleak subject matter in places, the typical Pearl Jam outpouring of anger has subsided, allowing it to flow beautifully from track to track.

Don't listen to this album once and immediately cast it off because it doesn't follow Pearl Jam's track record for gloomy grunge. Backspacer is uplifting, its optimism is contagious, and it is without a doubt some of the band's finest work by far. I cannot WAIT to see them live.

I am a sucker for a pretty, heartfelt song so for this reason I am including "Just Breathe" as my song of choice below. It is definately my favourite song on the album. It is sentimental and pure and will probably end up in the running for my wedding song. Well...if anyone would ever marry me, that is, which is looking very doubtful in fairness...

Enjoy!

Monday, December 28, 2009

Best of 2009 Part 7

Norwegian songstress Ida Maria's album, Fortress 'Round My Heart, is a fantastic debut and exactly what pop-rock should be- fun, fun, FUN.


Not only does newcomer Ida Maria have great vocals that are as raw and throaty as those of a chainsmoking, whiskey-swigging, emotion-filled vixen of twice her age, she has an impressive back-up band that help the brunette beauty move between a punk-rock and fun pop sound that really hits the mark. Her combination of hummable, catchy melodies and ballsy, provocative lyrics have helped her to become a 2009 indie favourite. Belting out songs like "Stella" and "I Like You So Much Better When You're Naked", Ida Maria is energetic and feisty and is definately not afraid to show who she is and what she feels. Thrown into the mix of raucous and spunky numbers are also a handful of beautiful ballads such as "See Me Through" and "Keep Me Warm" (which you may have heard on the Season 4 finale of Grey's Anatomy), proving that this girl also has a softer, whispy side to her musical talents. The lyrics are honest and emotional, enough to make you feel that you are being carried along on a 30-minute journey through the life of Ida.

Fortress 'Round My Heart is a high-energy gem. Ida Maria has certainly found a perfect gap in today's music market. She is a breath of fresh air for pop-rock. The album is simply captivating; a great debut that promises the 25-year-old a great career in the years ahead.

Here's "Stella"- give it welly Ida!

Girl Code

Following on from my previous post on The Bro Code (read it here), I thought it only fair to examine its counterpart. Today proved to be a very lazy day; I didn't get out of my pyjamas until 3pm and spent my time watching Season 5 re-runs of The Hills. In one particular episode drama ensued (shock, horror!) and the 'Girl Code' was thrown out there as if it was something all of us female-kinds should be aware of. Let's have a look see...

Girl Code is defined by Urban Dictionary as the following: "The code of guidelines that girls must obey in order not to get kicked out of [girl] community".While I do not employ or follow any of these rules as law, some are not alien to me. There are some things I would never dream of doing to my friends, lines in my head I know not to cross, but seeing an official set of girl code guidelines is quite interesting (not to mention amusing) for me. So it goes like this...

Rules of Girl Code

1) If you change boyfriends so fast they rarely achieve name status, a man must be around for at least six weeks before you make your friends bother to learn his first name. Until such time, he should be referred to as "The boy" or "That guy".

2) All girls must have a "Mr.Right Now". This is the guy friend who is always ready and available to hang out with you, and may or may not like you as more than a friend. He is always ready to party till dawn, and do things you wish you didn't remember in the morning. He's not “Mr. Right,” but he may be good enough to be “Mr. Right Now.”

3) If you just met a guy and know absolutley nothing about him, but need to refer to him during 'girl talk' you use one example of who he is, something he has, or what he does, and he becomes... that guy.
(Ex. "The Camaro guy", "The Trainer dude", "The Four a.m. in the Taxi Guy")

4) Every girl must wait at least a day and a half before calling a guy whose number she has retreived.

5) You are never in any case to date a friends ex or a guy who she was really into.
Exception: If he's one of those guys who every girl likes.

6) You are to never diss a friends boyfriend except to agree lightly or nod when she says he's being a asshole. In most cases it is easier to nod.
Exception: If a guy cheated or dumped your friend is is exceptional for you to claim he isn't good enough, and that she deserves better as well as reminding her that he was an asshole anyway.

7) If you wan't to date a friend's brother it is required that you get said friend's permission.

8) No girl is to ever hang out with the boyfriend of a friend without the friend present. If permission to is granted their should be at least 3 other people with you.

9) No girl may have more than one 'Love of her Life' at one time, though having a boyfriend and a 'Love of her Life' is fine.

10) No girl shall wear the same outfit or perfume as a friend is they will knowingly be in the same place.

11) No girl shall purchase a distinctive item of clothing which she is aware her friend owns without express permission from the friend.

12) No girl shall borrow an item of clothing without asking the clothing owner's permission, unless both parties have made an official decision to waive this rule in the context of their friendship.

13) An eye for an eye and a foot for a foot. If a friend borrows an item of clothing and destroys it, said friend must re-pay it.

14) The penalty for exposing a secret to an unauthorized party shall be exile from Girlville.

15) A girl who can substantially claim that she was not aware that a piece of information was a secret at the time she exposed it shall not be subject to punishment.

16) Inside jokes are not to be explained to outsiders.

17) Always leave a man wanting more but don't leave him guessing too long since guys do not take hints easily.

18) If a guy your friend is into asks for your number, you are to deny it and walk away, and/or slip him your friends number while saying, "I think she is more your type, you should call her".

19) Chicks before Dicks. Simple.

20) In a case where a friend spreads a horrible rumor about a friend, and then apologises, they are to be given the cold-shoulder for at least 3 days.

21) In a fight between a friend and her boyfriend you must always choose your friends side.

22) When dating a girl should find equal and/or enough time to still hang out with her girls.

23) Never insult your friend but never let your friend leave the house looking hideous. Find a better way to tell your friend how they look.
Ex: 'I think your other jeans are nice', 'You should wear less eyeliner, you have great eyes'.

24) When a friend is drunk, never allow her to dial, drive or leave with a random guy.

25) When a friend calls you up complaining about how she is drunk and can't go home you must allow her to stay at your house, without letting your parentals (if you live with them) find out.

26) When out with the ladies, if Girl #1 points out a guy that she is interested in, Girl #2 should avoid making a bee-line over to him to get his number for herself. Show some respect.

27) When said evening is described as a "Girls’ Night Out" that means it is for GIRLS ONLY. Consider it payback for all those tree houses and snow forts we couldn’t enter as children. Do not invite your boyfriend.

28) Stop being the "Me too!" girl If your friend is telling a story, stop stealing her thunder – and her story – by constantly trying to one-up her. For example:
GIRL 1: I had a horrible day. My flat iron broke in the middle of straightening, I dropped my brand new bottle of Burberry Touch on the bathroom floor, I missed the bus by two seconds and was late for school, my teacher yelled at me for something Sally did, and I got into a fight with Jason over whose family we’re spending Thanksgiving with.
GIRL 2: Oh that’s horrible. The same thing happened to me today, only I stepped in gum on the subway platform too. And when I went to scrape it off, I tripped and ripped my stockings and it reminded me of the time I was at my ex-boyfriend’s place for Christmas...

29) Be a responsible friend and not a 'Yes-Girl'. If a friend is asking you if she should get back together with her ex who chated on her, never wanted to hang out with her and than blamed her for them breaking up, and you say 'Yes', than you're a bad friend. Friends are supposed to protect and help friends. SO say your part even if they don't like what you have to say.

30) Don't be a hater. If a girl walks in looking gorgeous, girls automatically try to find something bad about her. But who knows? She could have just lost a friend, or got dumped, etc. So be nice and stop hating.

31) Don't go against the Girl Code

So now we know! I'm kind of glad Girl Code is not a term thrown around in my circle of friends. America, you have a lot to answer for...

Sunday, December 27, 2009

Best of 2009 Part 6

Following close on the heels of Florence and The Machine's Lungs as my favourite release of this year, Mumford and Sons' Sigh No More is a beautiful and charming debut. These guys are a great addition to contemporary folk-rock music and are definately one to watch.


I have been waiting for this album's release for some time and oh how happy I was when I finally got my eager little hands on it. Mumford and Sons have been around for a couple of years now, forming in 2007 and rising out of the London folk-rock scene that also gave us Laura Marling, Johnny Flynn and Noah and The Whale. I first came to know them as the on-off backing band for Marling (who I adore) but am very happy that they have now stepped out of her shadow to give us the wonder that is Sigh No More.

The album is amazing. It boasts a vast array of instruments throughout its twelve tracks, including banjos, mandolins, cello, piano and rambling guitars, stunning four-part harmonies, elegant arrangements, and the rich vocal tone of lead singer Marcus Mumford. Mumford's voice is incredible, certainly one of the most attractive things about the album. It is intimate and multi-faceted and eases into a place right inside you; it really does have that kind of effect- it is that incredible. The band have a great and highly addictive sound. Some of the tracks are quite dark, but while the song content can be quite heavy, the driving banjo sound is uplifting and provides the perfect balance. The change of rhythm and pace is powerful- what starts as chanted words backed by softly-strummed guitars soon breaks into something magical. Tracks gradually build from slow and intense to a brilliant, thumping crescendo. The word 'wow' escaped my lips on more than one occasion.

Musically, Mumford and Sons are outstanding. Their songwriting is some of the best I have ever heard; it is purely stunning. Winter Winds, Awake My Soul, The Cave and Little Lion Man, for its sing and tap-along quality, all stand out, but there really is no skipping-through when listening to this album; all tracks are fantastic. All have swooning melodies and beautiful lyrics and have been carefully and thoughfully crafted to reflect the best of the bands musical ability. The twelve tracks are all thought-provoking and literary, each one reading like poetry.

Mumford and Sons are, quite simply, amazing. Their music grabs you and refuses to let go, and we won't complain. From the first song I was completely hooked; it blew me away. I cannot recommend this album enough. Go and listen to it now. This being a debut release, it is exciting to think about what else is to come from this band. I imagine it will be just as great. Mumford and Sons deserve all the success and all the praise they will no doubt receive.

Best of 2009 Part 5

Supergroup Exhibit B: Them Crooked Vultures

What makes Them Crooked Vultures immediately interesting is the line-up of the band behind it; if you haven't heard about them yet, Them Crooked Vultures is a new supergroup made up of Dave Grohl (Nirvana, Foo Fighters), Josh Homme (Queens of the Stone Age) and John Paul Jones (Led Zeppelin). When three high-profile music greats get together for a project like this there is bound to be high expectations. Ever since the whispers began, fans of Grohl, Homme and Jones have eagerly awaited Them Crooked Vultures' debut. Does the album live up to the hype it has received? If a bunch of unknowns had released this album would it have generated as much interest? Probably not. Of course there's the tendency to hero-worship here, but that's what supergroups are all about, right?

The album lauches straight into its inevitable hard rock sound. It's great to hear Grohl back behind the drum kit, as he did while in Nirvana and on Queens of the Stone Age's Songs for the Deaf, and he is the first thing you hear on the opening track "No One Loves Me and Neither Do I". The rest of the thirteen tracks are just as powerful. It doesn't have a hum-along quality that fans of the Foos may expect; it is much darker. Guitarists will love it- you can practically feel the power booming from the amps. If I had to tie it down I would say that Them Crooked Vultures is Josh Homme's baby. Providing lead vocals and guitars, he appears to be the driving force behind the band, dominating the songs more than anyone. Category-wise, this album would fit nicely between Queens of the Stone Age albums in your music collection.

If you are a fan of any of these musicians' previous bands it would be easy to dismiss Them Crooked Vultures as an indulgent supergroup. Sure, it doesn't quite employ the best merging of three musical talents, but what we have to remember is that supergroups, in most cases, are a chance for musicians to experiment with a different sound and to collaborate with some new people. While it doesn't have quite the same pounding-away sound as the Foos or the same legendary power as Zeppelin, this album is not one to be cast off. There are plenty of experimental edges; ambitious and unrelenting guitar riffs, a funky organ interlude, some psychedelic vocal effects and even some piano. The same great heights will never be grazed with this bands' fingertips but it is certainly the best work of any supergroup in recent times by far. The songs, penned by all three members, are quite compelling and, after a few listens, get inside your head. Them Crooked Vultures is certainly interesting, certainly experimental and the appeal of it certainly lies with our tendency to hero-worship. I have to admit,  it is partly because of its jaw-dropping line-up that the album is appearing here, in my best of 2009. Give it a go.

Saturday, December 26, 2009

When It's All Over Someone Has to Clean Up...

Ok, so it's all over- Christmas Day is done. I hope you and yours had a lovely, fun-filled day. I am like the turkey we had for dinner- completely stuffed. A fun day was had by all. Santa visited and made everybody happy, the food was absolutely nom nom and craic was had. The twins celebrated their first Christmas in style- in matching Mr and Mrs Claus outfits! Bless...

Observation though, if I may- Christmas makes you miss people. A lot. *Sigh*



Thursday, December 24, 2009

The Almost Best of 2009

On September 12th 2008, Mick Flannery's White Lies was released and immediately entered the Irish charts at number 6. Made popular by word of mouth and touring to towns all across the country, this amazing voice often seen on Other Voices is finally gaining the recognition he deserves.

If Mick Flannery had released White Lies just three months later, tipping it into 2009, he would have knocked Florence and the Machine off the topspot for my favourite album of the year. White Lies still remains, however, one of my most played albums ever, alongside Pearl Jam's Ten and Alanis Morissette's Jagged Little Pill. Mick is also the reason I spent a bit more time in Dolan's Warehouse this year. I saw him three times at that venue, as well as in Bantry, and his performance never ceased to move me.

It is very hard to believe that when White Lies was released, Mick Flannery was just 24 years old. He is an exceptionally talented young man. The album brims over with maturity and experience. Reminiscient of Tom Waits and Bob Dylan, who are quoted as being two of his musical influences, each of the eleven tracks flows with ease into the next, all racked with deep emotion and pure, raw honesty. While the album contains mostly ballads full of traditional and old-fashioned character, Mick proves he can step things up a notch with songs like "Tomorrow's Paper" and "What Do You See?" Every track is one to look forward to- each one has a gorgeous and infectious melody and tells a new tale. Above everything else, Mick is a storyteller. He has a unique way of telling a story, drawing on his subject matter perfectly to create an emotional ambience that makes you feel you have been drawn into the lives of the people he describes. In just a matter of lines he can portray an emotional encounter, a painful instance or a troubling scenario with ease. Mick is a lyrical genius. His choice of words pulls at the heartstrings; listening to his art, and that's exactly what it is, is a wonderful and moving experience. It reassures the listener that, given the ups and downs of everyday life, taking comfort in sadness is sometimes unavoidable.

Seeing Mick Flannery live is also an amazing experience. He switches easily between piano and guitar, barely opening his mouth wide enough for you to see his teeth. It is hard to believe a voice so enthralling can come out of there. But his voice is the most captivating element of the show. It is worn-down, almost husky, and full of texture, and sounds like it has lived a life much longer than Mick's now 25 years. It has a sombre and melancholy sound and, as the melodies of Mick's songs rise and fall, it grows in power, supported by beautiful harmonies, before easing to a delicate whisper at the close of his songs. "California" and "Safety Rope" are particularly stunning and noteworthy, but it is "Near or Far" that always steals the show. It is awe-inspiring. It is one of the best-written songs I have heard in a long time.

Owning an amazing talent like Mick does, you wouldn't be a fool to think he would, in person, be a confident guy. But watching him live is a reminder of the shy and self-deprecating person he is, one who seems to worry about each time he may have to speak into the microphone and address the crowd so eager to hear him. But rather than it affecting his performance, his manner is endearing, and only makes the emotion he writes about and pours into his performance more real. He is a pleasure to see live and if you haven't done it yet then I would advise you to make it one of your New Year's resolutions. You won't be disappointed. I for one cannot wait to see what Mick Flannery comes up with in 2010.

The photo I have included above is one that I took at Mick's gig in Dolans in February of this year, as is the one to the left. I met Mick only briefly, sadly, but managed to get a quick snap! I'm also attaching below a video of "Safety Rope" I took at the gig. It is a bit shaky because, as I mentioned before in this blog, I am not the best multi-tasker and holding my bottle of Corona while trying to record proved quite difficult, but the sound is ok. It is quite dark at first but once the stage lights up it is very lovely!

Have a wonderful Christmas everybody!

Wednesday, December 23, 2009

Happy Birthday Eddie!


Considering this is my third post today, it's quite obvious that I have entered the realm of boredom that is the Christmas holidays. I'll keep this short- today is Eddie Vedder's 45th birthday. This man needs no introduction. If you don't know who he is (or, I dread to think, if you don't know who Pearl Jam are) then you have obviously lived a very sheltered life under a huge fat rock. You should be ashamed. Eddie Vedder is a cultural icon of alternative rock, an undeniable legend. From Pearl Jam, one of the most influential bands of the Seattle grunge sound, to Temple of the Dog, to the many soundtracks he has contributed to (including Into The Wild, his first solo album and one of my favourites), Vedder's talents and ability knows no bounds. He has one of the most amazing voices in music today and, if I can just say, being of the female kind and all, he is sexy to boot! Musically, I think he can do no wrong. Listen to Ten or the Into the Wild soundtrack tonight in honour of Eddie- both never cease to impress me.

And I just want to say again, I GOT PEARL JAM TICKETS!!!!

That is all.

Here's "Guaranteed" from the Into the Wild soundtrack. Sheer class.

I'll Be Your Muse...

A Wished For Song 
A Portrait of Jeff Buckley 
by Merri Cyr

When Jeff Buckley drowned tragically in a channel of the Mississippi River in 1997, the music world mourned the loss of one of, if not the, most promising voices of all time. When his debut LP Grace was released in 1994, Buckley quickly gained legions of fans all over the world, all of whom were immediately transfixed with his eight-octave range and perfect falsetto, fluid guitar playing and heartrending lyrics. His untimely death denied us of more of the most beautiful music ever written.

Merri Cyr is a photographer from Brooklyn, NY. She was with Jeff Buckey from early on, right at the beginning of his musical journey. Initially hired to shoot the album cover for Grace, Cyr quickly impressed Buckley and was asked to accompany him on tour, allowing her to capture some of the most pivotal musical, as well as personal, moments in the artist's life. The almost endless number of images she captured gave us a fleeting glance into the life of Jeff Buckley; his unbelievable abilities, his huge heart, his unwavering charm, his multi-faceted personality. In 2002 Cyr decided to share her images with the world. What resulted was A Wished For Song- a breathtaking collection of photographs that depict the legend behind the most timeless music ever written.

Also included in the book are interviews, conducted by Cyr, from the many people that had the pleasure of meeting Buckley and having him in their lives. Artists such as Bono, Eddie Vedder and Paul McCartney all lend their words to pay tribute to his memory. There are anecdotes and reminiscences from family, colleagues and friends, the people that knew and loved him best. Both the images and words remind us that the memory of Jeff Buckley lives on, through his music and through the people that refuse to forget him.

When Buckley first hired Cyr, he told her he wanted to be her muse- and this fantastic book proves she lived up to his expectations of her. From promo shots, studio portraits, live shots to backstage peeks, all are taken with genuine affection for the subject. The photographs are abstract but all stunning. They are never exploitive yet at the same time beautifully revealing. The book does not make a martyr of Buckley, thankfully. As Inger Lorre states in the book, "...Jeff was nobody's martyr and I don't think he would like people turning him into the tragic young beautiful thing...You know he would hate [that]." A Wished For Song is the perfect tribute; a celebration of his life and a gentle mourning of his devastating death.

This book also hints at the great relationship Cyr had with Buckley. She praises his exceptional talent, his kind and gentle nature, his all-inclusive love for people and his incontestable charm. She speaks with a fondness that comes straight from her heart. Her own words on the artist are moving; it is obvious that shooting Buckley was her pleasure: "Jeff had a fantastic beauty, rare and originating on an energetic level. It's got nothing to do with the meat of a body and it's beyond talent. Maybe his high burn rate made him shine all the more brightly, seducing people to match an ephemeral brilliance, or by the same token a vast darkness. Whatever you call it, it became an actual and visible expression in the photographs."

What really comes across in Cyr's book is how important the music was to Jeff Buckley. It was always about the music for him. His whole life was getting his music across to people, to really make them feel it. Buckley was an artist that had no issues with saying "fuck you" to the business side of the industry. His music was more important than any photo shoots, promotion opportunities or music videos. If you watch the video of "Last Goodbye", at the very end he looks at the camera with a look of disdain on his face. This look sums up the way he felt about the business. He was never afraid to say no. He never did anything he was not comfortable with. Dave Lory's words sum up how Buckley felt about the music perfectly: "I miss protecting him. I think that's probably the hardest thing...protecting him and protecting his music and bringing him across the way he wanted to be brought across. That's the joy of it. Forget the money, forget all the other bullshit, because at the end of day when you walk in the door and you see him, you see that you've protected his baby. And that's his art. And him personally."

Merri Cyr has done a fantastic job with A Wished For Song. It is a wonderful and stunning book. It is a keepsake; an essential addition to the collection of any fan of Jeff Buckley, or anyone who wants a snapshot into the life of a real artist. It reminds us that the memory of the man behind the timeless inspirational music of Grace has lived on past his death. He is worth the continuous praise he receives. Sometimes I feel words will never be strong enough to describe his talent, although efforts like Cyr's come as close as you can get. Jeff Buckley will never be forgotten; no one will ever outdo him. He is one in ten million and his legend will never be overshadowed.

Here's the aforementioned "Last Goodbye":



Best of 2009 Part 4

Supergroup Exhibit A: The Dead Weather

For those of you that haven't come across them yet, The Dead Weather are an American alternative rock band formed in Nashville, Tennessee, made up of Jack White (The White Stripes), Alison Mosshart (The Kills), Dean Fertita (Queens of the Stone Age) and Jack Lawrence (The Raconteurs). They released their debut album, Horehound, in July of this year.

The Dead Weather's album is one of the most interesting debut releases of the year, and the union of this band definitely feels natural rather than strange. Nobody in this "supergroup" needs fame or money; there are no spotlight-grabbing intentions or ulterior motives. The album is simply the work of a group of people who got together to showcase their musical creativity.

Horehound throws out a fresh and unusual sound, one distinguishable for itself rather than any particuar member of the collaboration. The eleven track album is dark and raw and unlike anything we have heard this year. The riffs are powerful and throbbing, echoing and strutting, and help to establish the band's sound as gritty bluesy-rock. Mosshart is sultry and provocative but unfortunately lets the album down (very) slightly as her sometimes weak-ish voice fails to carry through to the end on one or two of the heavier tracks. While I am a fan of hers, Mosshart's voice irritated me in places on this album and I felt that this task may have been a bit to big for her. This is still a fantastic album, definately one of the more inventive of 2009, and is without a doubt worth a listen. There is a second album currently in the pipeline and I am definately interested in what The Dead Weather, especially Mosshart, throws up for that.

Here is one of the best and most infectious tracks from the album- enjoy!

Monday, December 21, 2009

Best of 2009 Part 3

This year, Black Gives Way To Blue marked the return of one of the heaviest and greatest grunge bands of all time. Alice in Chains live on!


When a band loses a member there is choice that has to be made, to which there is no right or wrong answer. The band must carry on or agree to break up. This choice can be particularly difficult when the loss is a lead singer; the face and voice of the band. When Layne Staley died in 2002, it appeared the legacy of Alice in Chains died with him. But the band were more than just Layne Staley. Granted he had an amazing voice, but Jerry Cantrell was as much a part of the band's sound as Staley. The power of the band's music- its harmonising, riffs and melancholy acoustic melodies- came from Cantrell's guitars. So on reflection it was really only a matter of time before the he decided to pay tribute to Staley in the best way he could- through the music.

While Black Gives Way To Blue is not my favourite album release of this year, I think it is mentionable here for its ability to remind us all that Staley will never be forgotten and there is a tomorrow for Alice in Chains. I think the band made a mistake opening their first studio album in 14 years with the track "All Secrets Known" however- it's slow, uninventive and kills four minutes of time before the real legends of Seattle Sound step out of the shadows. Beyond that, the remainder of the album is pretty imprssive.

The subject matter is just as honest, bleak and full of the self-loathing most fans would expect from the band. The album has a good balance of heavy and more moody acoustic tracks."Last Of My Kind" and "A Looking are relentlessly heavy yet melodic. "Check My Brain" is more reminiscient of Alice In Chains' older work and quickly gets inside your head for its addictive sound. The title track, dedicated to Staley and featuring Elton John on piano, showcases the flipside of the band's musical style. Acoustic songs "Your Decision" and "When The Sun Rose Again" are much lighter and boast beautiful and infectious harmonies. Cantrell adds his voice to both, the tone of which works well to fit the mood of the album.

Newcomer William Duvall's voice is a world away from Staley's in terms of tone and delivery, but he succeeds in adding his own stamp to the sound of the band. The remarkable thing about this album however is the vocal collaboration between Cantell and Duvall- it carries the band to the next level and promises that there is better to come. When both members sing, "tomorrow's haunted by your ghost" on the above-mentioned title track, it is a poignant reminder that Layne Staley will never be forgotten by his previous bandmates or the legions of fans he continued to impress for over a decade.

Black Gives Way To Blue is a remarkable and highly-anticipated return for one of our favourite Seattle grunge bands.

Friday, December 18, 2009

Sew I Sea...

Last night my friend Aoife and I went to see Lisa Hannigan in Dolan's Warehouse and were like two children overdosed on Skittles and Coke. Lisa played a sold-out gig to an audience of avid fans and I have never experienced anything like it. She is breathtaking. Here I have a ponder on last night's gig and Lisa's amazing debut album, Sea Sew.

Last night was my first time seeing Lisa Hannigan live. I have long admired her as a hugely talented artist and bought Sea Sew when it was first released, but I just never got to one of her gigs. Shame on me. Last night it hit me just exactly what I had been missing. Lisa Hannigan is phenomenal. She is mesmerising. I have never been at such an intimate gig; no one spoke, people barely moved. People didn't want to take their eyes off the stage long enough to go get a drink at the bar. She had all the men in room transfixed. And who could blame them? Lisa Hannigan is stunning. She is gentle and almost elf-like. Her movements are delicate and her voice is one of the most seductive sounds I have ever heard. Her raven hair fell softly, sometimes hiding her face, reminding us of her shy and modest personality. Her choice of outfit (red dress, green tights and brown boots) and the beautiful festive lights she had asked to be scattered around the stage only emphasised how excited she was about performing this special Christmas concert, and boy, was it special.

From the second Lisa came out on stage and began to sing "Ocean and a Rock", the hairs stood on the back of my neck, and they remained like so for the entire set. She completely made the stage her own, effortlessly switching between guitar, mandolin, banjo, melodica and harmonium, all the while showcasing her powerful yet delicate vocals. Her backing band are fluid and equally as multi-instrumental, and provide a perfect hum of sounds to support the singer. While it was difficult to find a flaw in any of the tracks performed last night, one definately shone brighter than the rest in my opinion. Half-way through the set Lisa was left alone onstage with a mandolin to deliver a beautiful, note-perfect version of a new song about “being away from home but still being tied down.” It almost brought tears to my eyes. "Teeth" and "Lille" also stood out. She is one of those singers, up there with Joni Mitchell and Sarah McLachlan, that have the ability to describe a complex feeling perfectly in just a couple of lines. Her subject matter is rich and deep, her lyrics heartrending. She sings from a place deep inside her heart and is brave enough to let us all watch. Stepping out of the shadow of Damien Rice is the best move that Lisa Hannigan ever made, and one she should never, ever regret.

Here is a picture of Aoife and I at the gig. We had a brilliant night and will definately be going to see Lisa Hannigan again; it was unreal! I'd advise anybody who hasn't seen her live to do it- she is absolutely magical.

And now for a look at one of the best albums of 2008, and one of my favourite albums by a female singer-songwriter.


Sea Sew, Lisa's solo debut, was long-anticipated; even before she separated from Rice musically people were pining for an album that was all her. Finally the very talented singer, songwriter and multi-instrumentalist is out on her own and growing in confidence. Gone are the days where she stood a foot back from the microphone with her eyes shut tightly, hoping not to draw attention to herself.

The album is pure and honest. It is dream-like, indie-folk music at its best and it holds your attention right through its ten tracks. The melodies are playful and whimsical and, more often that not, uplifting, a far cry from the material Lisa released with Rice, which tended to edge towards depressing and bleak. The arrangements on all tracks are beautiful and the instruments used, including the harmonium, offer a delicate melancholy to the album. Her voice is a half-whisper, breathy in style yet she manages to control it perfectly. It floats along, dipping and rising, and it has the power to move you.

With Sea Sew Lisa Hannigan proves that she is much more than just a back-up singer, and as her confidence grows she will continue to get better and better. I can't wait to hear what she comes up with next.

I'm attaching below a video that I took at the gig last night. It's not the best quality, and there's some shaking as a result of my inability to multi-task, but the sound is quite good. Enjoy!

Thursday, December 17, 2009

Everything is BON

Bon Iver's For Emma, Forever Ago is fragile and beautiful- a truly mesmerising debut.

Ok, I know this album was released this side of the waters in 2008, but since I only got my hands on it this year, I feel it's worth a mention here. Bon Iver is the lastest music project of Wisconsin singer-songwriter Justin Vernon. The album arose out of a period of isolation in Vernon's life, when he spent three months bedridden with mononucleosis in his father's cabin in the northwood of Wisconsin. Also dealing with the breakup of his band (DeYarmond Edison) and a relationship, Vernon directed his attention to songwriting and his new musical venture.  

For Emma, Forever Ago is an outpuring of emotion. The lyrics throughout the nine-track album are poetic and intimate, the melodies gentle and touching. Vernon's voice is haunting and as soothing as the sound of his guitar strumming in the background. "Blindsided" and "For Emma" immediately stand out, but you would be hard-pressed to find a flaw with any of the tracks on this album. It is heartwarming and thought-provoking, and delves deeper than most of its musical counterparts. Lay down in darkness and take it in- For Emma, Forever Ago is folk music at its finest. 

Wednesday, December 16, 2009

Bros Before Hos

A long bout of the flu and taking solace in How I Met Your Mother led me to ponder on the wonder (look at that- I made a rhyme!) that is The Bro Code. Barney Stinson is certainly a legend and makes for some very amusing entertainment, but is what he preaches valuable or useful? Hmmm....

Settling disputes the manly way- let's have a look shall we?




The Bro Code

Best of 2009 Part 2

(Not So Much) Bah Humbug!

How quickly kids grow up these days. For album number three it's goodbye Sheffield and hello California for the Arctic Monkeys. For this album the band travelled to the desert to record with Queens of the Stone Age’s Josh Homme, as well as the gritty streets of New York with James Ford, and these influences certainly permeate throughout. The result is a much more mature and daring sound that proves that the U.K.'s most impressive youngsters are moving onwards and upwards.

It definately took a few listenings, but I can now say hands down that this is one of the best albums of 2009. The subject matter of Humbug is bleaker than before (and Turner's voice even sounds deeper!). The album showcases a more experimental and darker sound than the Arctic Monkey's previous two albums and finds the band edging away from the slightly aggressive attitudes they have become famous for. Some argue that this may disappoint quite a proportion of their fanbase, but I disagree. Humbug is a brave move forward, one that can only result in exciting progression and even better future albums.

This album just works. The sound of guitars is mellower, the drums soft enough to be soothing. The melodies are close to perfect, the rhythms addictive. While Whatever People Say I Am, That's What I'm Not  will always remain one of the best and most successful U.K. debut albums of all time, and Favourite Worst Nightmare a more than satisfying follow-up, Humbug is, from start to finish, their strongest and most accomplished work to date.

How very far they've come.

Tuesday, December 15, 2009

Best of 2009 (Or So I Say Anyway....)

Ok, so seeing as 2009 is speedily drawing to a close (hurrah for that), I feel it's only fitting to spend the next few blog posts paying reference to the awesome music offerings of the year. Might even throw some oldies but goodies I re-stumbled across this year in here too- we'll see how it flows...

First up, and scoring top of my list for this year, is the debut offering from Florence and the Machine, Lungs. Regardless of whether you think Florence Welch is the the most brilliantly captivating performer ever to grace a stage or an attention-grabbing nutjob, you'd find it hard to argue your case that this is not one amazing album. With the ridiculous amount of daily additions to the contemporary music scene, and the many YouTube and MySpace fame-cravers, it's a rare event to come across a debut album you can listen to in its entirety and thoroughly enjoy. In this competetive music age it's also proving more and more difficult to sustain the raw excitement of those initial pre-released tracks that stick in all our minds. To acheive this an artist requires more than just great songwriting, stellar vocals and a kickass backing band. It requires a level of commitment that most young newcomers just don't quite have. But luckily for us, Florence has this in abundance.

That voice...I haven't experienced anything so powerful since I first discovered Sarah McLachlan back when I was a young 'un. A beautiful brew of jazz and folk and soul like nothing we have heard in a very long time. The album is sheer brilliance. It's always pitch-perfect and haunting and it has a way of seeping into the heart. Welch is brutal and powerful, sexy yet bizarre. And definately one to watch.

If you haven't checked out Lungs  yet then I suggest you do it immediately. It is a truly rare thing- a perfect debut album.

Aaaaaaalright!!!!!

Just had to share it here folks- I got Pearl Jam tickets! Next June I will be tuning into Seattle Sound at its greatest.

That is all.

Except for a song, of course.

Tuesday, December 8, 2009

Riders on the Storm


Weather is still majorly pissing me off these days- many of my Cons are all but ruined and my hair is going through a very annoying, frizzy patch...urgh... But plans for Oz next year are keeping me smiling :) Jim Morrison's birthday falls today, so in honour of the man himself and the excellent band he hung with, I thought I'd attach some moooozic!

I shall be listening to Strange Days and L.A. Woman tonight. Enjoy!

Wednesday, December 2, 2009

Dibs!

The topic of "dibs" has come up a lot recently. My friend Ciara and I joke about this a fair amount (mostly for fun and mainly directed at musicians and actors we haven't a hope of scoring) so I thought it was high time I looked at the rules behind this "dibbing". Ciara seems to have been dibbing for years, whereas it was new ground for me. But it does appear this is used as a genuine rule for scoring and more and more people are catching on to it. Hmmmm........

International Dibs Rulebook

This constitution is fully endorsed and sanctioned by the International Dibs-Calling Committee (IDCC). The rules listed below apply to the calling of Dibs, also known as “The Call”. Dibs may be made on any single person, whose sexual gender meets the preference of the caller. Dibs is called to reserve the target of the call (”the Target”) for the caller only, preventing others from approaching the Target for a set period of time. A Dibs call ensures a reasonable opportunity to seduce the Target without competition. These rules are definitive and binding.

Section I: The Basic Rules
Article 1: In order to call Dibs, the caller must pronounce the word “Dibs,” verifiable by at least one other person. The caller must also identify the Target in a reasonable manner (i.e. “I got Dibs on the butterface in the yellow g-string”).
Article 2: Dibs may only be called if the enactor (”the Caller”) has seen the Target in person. (photographs, digital images, etc. do not count). Dibs can only be called when the Caller is in line-of-sight (LOS) of the Target; Dibs cannot not be made if the Caller has already departed the Target’s location.
Article 3: The Call guarantees that no other individual, other than the Caller, may make any effort at hooking up with (seducing, courting, etc.) the Target for 30 days.
Article 4: Anyone disrespecting a legitimate Dibs call may be proclaimed a jackass by the community, and forfeits all honour. The Community may henceforth actively seek to destroy any sort of relationship the disrespecting citizen attempts with the Target, and may be attacked on sight.
Article 5: Dibs may only be called on a target who is officially single. In the case where the Target’s status is unknown, Dibs is in effect until information presents itself that clearly established that the Target is already spoken for.

Section II: Special Cases
These special exceptions to the above rules should be considered in the order presented; the case listed first will take precedence over any of the cases beneath it, when applicable.
Article 1: In the instance that the Dibs call was made after midnight, the 30-day period begins on the active day (the day in which one woke up).
Article 2: In the instance that the Caller is no longer interested in the Target, then the Caller may retract The Call. The Caller may not make a new Dibs call on the same target until another person calls Dibs on the target in question, and that call has elapsed. Dibs may not be surrendered to a specific person.
Article 3: In the instance that 30 days has elapsed since the Caller established Dibs, and the Caller has been unsuccessful in hooking up with the Target, then another individual may call Dibs on the Target. The individual whose time elapsed may not make a new Dibs call on the Target until after every potential candidate whom the original caller knows has either already called Dibs or has declined. If everyone has already called Dibs or declined, the slate is cleaned and anyone may call Dibs on the Target (except for the last caller, who must wait until at least one other person has called Dibs again). For purposes of this Article, “every potential candidate” includes only those people who were present when the original Dibs call was made.
Article 4: In the instance that the Target actively pursues a person who has not called Dibs, then the person the Target is after may submit to the Target’s desires, rendering the Dibs call irrelevant. For purposes of this Article, active pursuit will be determined only by those people present when the Dibs call was made; a majority vote will determine if the Target’s pursuit is “active”.
Article 5: In the instance that the Caller makes no significant effort at hooking up with the Target within 15 days of the call, then the Caller forfeits Dibs. Rules outlined in Article 2 are thusly followed.

Section III: The Free-for-All Rule (a.k.a. The Gang-Bang Rule)
Article 1: If a successful Dibs call has been made, the Caller may institute the Free-for-All Rule. In this case, all rules become obsolete, and Dibs may no longer be called on the Target until after the Target has hooked up with someone and broken up with them.

Amendments
Amendment I: The Lesbian Rule (a.k.a. Hot Dibs)
Contrary to its name, this Amendment is not gender-specific. If Dibs is called by someone of one gender (”Gender X”), then the Call may be overriden by someone of the opposite gender (”Gender Y”) by calling “Hot-Dibs.” This call is only legal if the Gender Y caller makes the override call within five minutes of the original Dibs call. All Dibs earned in this manner last only 15 days, not 30, and significant effort must be made within 7 days before this call becomes invalid (rather than 15).
Hot-Dibs can only be called by someone of Gender Y if the Target is the preferred sex of the Gender Y individual. In other words, Hot Dibs cannot be called simply to cock-block the original caller by someone of the Target’s gender.
Amendment II: Warring Factions
All rules within the Dibs Rulebook refer to a group of allied individuals (i.e. a group of friends, known as a “Faction”); the Dibs rules made by the Caller applies only to the Caller’s own Faction. Should this Faction recognize that Dibs was previously called by an individual in another Faction, the Caller’s Dibs call remains in effect. The Caller’s Faction may therefore attempt to sabotage the efforts of the opposing Faction’s caller.
As per Article 4 of the Basic Rules, all Factions are considered part of the Community. This establishes additional reinforcement of the rules governing a Dibs call.

Interesting. Use this information as you may my friends.